Credits: Agency: Draftfcb Melbourne Advertiser: Honda Motor Co., Ltd. Brand Name: Honda Australia Product Name: CR-V Market: Australia Country of Production: Australia Production Company: Photoplay Films Director: Scott Otto Anderson Creative Director: Scott Lambert Producer: Oliver Lawrance Agency Producer: Lisa Ramsey Country: Australia Language: English Type: Television Length: 45 seconds Tagline: The Power of Dreams
Hugh Jackman shows us his best moves in the "Tokyo Dancing Hotel" commercial for Lipton Ice Tea.
Behind the scenes and the making of the Lipton Ice Tea Dancing Hotel with Hugh Jackman.
Credits: Advertiser: Unilever Brand Name: Lipton Ice Tea Agency: DDB PARIS Production Company: Partizan Country of Production: France Soundtrack/Song: "Funky Boogie remixed by Pilooski" Tagline: Lipton Ice Tea. Drink Positive
Executive Creative Director: Nick Bell Creative Director: Pierrette Diaz, Matthieu Elkaim Art Director: Laurent Toth Copywriter: Marc Badinand Director: Michael Gracey Account Supervisor: Philippe Berthelot, Marina Zuber Post Production: Mikros Images Music: John Ozila Actor / Celebrity: Hugh Jackman Advertiser's Supervisor: Jason Green, Garth Woolley, François Bazini
A celebration of true football. For Africa. For Football. For the insane love of the game that possess us all and unites us beyond borders. Bringing football back to its roots. Because love is football.
The TV spot, shot by Syrup, the global advertising agency for PUMA Teamsport, is the latest in the LOVE=FOOTBALL campaign which encompasses everything from chalk drawings and stickers to websites, billboards and finally this. All leading up to the South Africa World Cup. The spot is homage to the soul of the game of football. Shot on location in Angola, Ghana and The Ivory Coast and soundtracked by ‘Going On’ by Gnarls Barkley, it features PUMA players Samuel Eto'o, Gervinho, Emmanuel Eboue and Mohammed Zidan. Credits: Advertising Agency: Syrup, an LBi Group Company, USA Production Company: Syrup, an LBi Group Company Chief Creative Officer: Jakob Daschek Director: Jakob Daschek Creative Director: Gui Borchert Director of Photography: Max Goldman Senior Producer: Kate Cunningham Executive Producer: Omino Gardezi Editor: Graeme Pereira Music: Gnarls Barkley Photographer: Sesse Lind Additional Photography; Boaz Fround, Kate Cunningham Senior Account Director: Jennifer Giroux Associate Producer: Anders Paus Hedberg Colorist: Tom Poole, Company 3
Another feel good commercial for the 2010 FIFA World Cup via the Go Visa, Go Football ad campaign narrated by Morgan Freeman. Credits: Client: Visa Spot Title: United Divided Air Date: March 2010
Agency: TBWA\Chiat\Day Chief Creative Officer (LA): Rob Schwartz Chief Creative Officer (Berlin): Stefan Schmidt AD: Scott Brown Copywriter: Paul Sincoff EP: Guia Iacomin Assistant Producer: Michael Gross Management Director: Bill Brooks Account Director: Nick Drake Management Supervisor: Nicole Bray Account Supervisor: Sara Fahim Account Executive: Brienne Monty Executive Planning Director: Dan Goldstein Director of Business Affairs: Linda Daubson Senior Business Manager: Lisa Lipman Senior Traffic Manager: Jerry Neill Global Director of Media Arts: Lee Clow
Production Company: RSA Director: Jake Scott EP: Marjie Abrahams Line Producer: David Mitchell
Design & Animation: Paranoid Design Studio Lead Artist: Vincent Rogozyk Artist(s): Michael Tavarez, James Vogel, Andy Lyon Graphic Design Director: Nieto EP(s): Claude Letessier, Cathleen O'Connor Producer: Guillaume Raffi
Telecine: Company 3 Colorist(s): Stefan Sonnenfeld EP: Rhubie Jovanov
Music Co: Amber Music Composer(s): Leo Sidran Creative Director/EP: Michelle Curran Song Performance: Children of Agape Choir
AudioEngine Mixer and Partner Rex Recker, in collaboration with NYC's Gotham and Smuggler's Henry Alex Rubin, mixed an entertaining Reebok Sports Licensed Division's Speedwick spot starring the NHL Pittsburgh Penguins' Sidney Crosby and Maxime Talbot.
When the two standouts face off in Crosby's basement, firing pucks across the room into Sidney's childhood clothes dryer, Recker ensured that the booming noise of the puck colliding with the metal crossbar, and additional game play sounds, synched perfectly with the onscreen action. audioEngine also facilitated the transition from live action to the still logo shots with the mix of an upbeat track that kicks in at the contest's conclusion. Credits: Client: Reebok Spot title: Sid vs Max Full Air Date: March 2010 Agency: Gotham CD: Michael Jordan AD: Pat Walsh Copy: Michael Jordon Producer: Neal Bergman Prod Co: Smuggler NYC Director: Henry Alex Rubin DP: Darren Lew Producer: Elizabeth Amaral Editorial Co: PS 260 Editor: JJ Lask EP: Zarina Mak Producer: Amy Kommats Audio Post Co: audioEngine NYC Mixer: Rex Recker Producer: Charles Nickles Shoot Location: Pittsburgh, Pennsylvania
Sid Lee, out of Montreal Canada pumps out another great commercial for the Adidas Originals ad campaign, this one entitled "Adidas Originals The Street"The ad features the music of Dee Edwards and Hermon Weems, song title "Why Can't There Be Love". For those who need to know the Adidas spot also has brief appearances by the following: Adrienne Bailon, Agyness Deyn, Ana Ivanovic, Calle 13, Cheer Chen, Ciara, David Beckham, DJ Neil Armstrong, Fernando Verdasco, Hyori Lee, Ian Brown, Jay Baruchel, Jeremy Scott, Louise Roe, Mr. Hudson, N-Dubz, Noel Gallagher, Snoop Dogg, Tallulah Morton, Whitney Port, and Dee Edwards.
Credits: Agency: Sid Lee, Montreal Agency Producer: Claudia Roy @ Jimmy Lee.tv Production Company: Partizan, London Director: Nima Nourizadeh Producer: David Stewart DP: Alex Barber Production Manager: Mags Milan Editor: Dan Sherwen @ Final Cut Post-Production: The Mill Producer: Miles Pettit Colorist: Adam Scott Shoot Supervisors: Richard Roberts & James Spillman Lead Flame: Richard Roberts Flame Assist: Siro Valente Music: "Why Can't There Be Love (Pilooski Remix)" by Dee Edwards and Hermon Weems Sound: Boogie Studio, Montreal
Great new ad for Diet Coke entitled "Stay" Extraordinary created by Wieden+Kennedy. The coke ad features the music of The Temper Trap and one of new fav songs "Sweet Disposition".
Director Christian Loubek, working via Wieden + Kennedy, just helmed an impressively varied spot for Diet Coke. The sprawling, wordless :60 is a poignant, musically driven portrayal of the iconic soft drink's place amid great acts of art and accomplishment. A man fueled by Diet Coke hobnobs with an urbane crowd at a swanky big-city party. A nurse cares for newborn babies with the soft drink by her side. The drink is there beside the runway of an edgy fashion show, on the set of an explosive outdoor movie shoot, in the limo of an actress preparing to take to the red carpet, and in the painting of an expansive mural in a neighborhood. Credits: Client: Diet Coke Spots Title: Stay Air Date: March 2010 Agency: Wieden + Kennedy CD: Hal Curtis Art Director: Max Erdenberger Copywriter: Ginger Robinson/Tatum Shaw Agency Producer: Erika Madison Prod Company: Anonymous Content Director: Christian Loubek EP/Head of Commercials: Dave Morrison Producer: Deannie O'Neil Production Supervisor: Mariska Leyssius Editorial: Rock Paper Scissors Editor: Terence "Biff" Butler EP: Carol Lynn Weaver Producer: Cassie Hulen Post/Effects: a52 VFX Supervisor: Patrick Murphy VFX EP: Jennifer Sofio Hall VFX Producer: Cassie Hulen Audio Post Co: Lime Mixer: Loren Silber Sound Design Co: Stimmung Sound Designer: Gus Koven Shoot Location: LA About Anonymous Content: Attribution: Written content created by TRUST: http://www.trustcollective.com Under Creative Commons License: Attribution Share Alike
A preview trailer for King Kong 360 3D which will be coming to Universal Studios Hollywood in 2010. The new spectacular 3D show is located in a new building constructed at the spot of the old building in the Studio Tram Tour of Universal Studios Hollywood. Advertising Agency: David&Goliath, USA Chief Creative Officer: David Angelo Associate Creative Director, Art Director: Steve Yee Creative Director, Copy Writer: Ben Purcell Art Director: Bryan Carroll Copywriter: Aroon Mukhey Executive Producer: Carol Lombard Producer: Carrie Lighthall Director of Client Services: Mike Braue Account Supervisor: Jana Wentz Production Company: Radical Media Director: Peter Darley Miller Director of Photography: Sal Totino Executive Producer: Frank Scherma Line Producer: Barbara Benson Editing House: Spinach Editor: Kelly McClean Producer: Carrie Lighthall Sound Design: Margarita Mix Sound Designer: Nathan Dublin Audio Mix: Margarita Mix, Santa Monica Mixer: Nathan Dubin
Heinekin Beer has some fun in their newest spot entitled the Boss's Daughter. Agency: Wieden & Kennedy Music and song title is 'Mexican Dogs' by Cold War Kids
New spot for Reebok, ZigTech features the music of a friend of ours here at Great-Ads, the music is composed by Glyn M. Owens and the vocals are by the lovely Davina Jones.
New commercial for the Gatorade G2 sports drink entitled "Float". The ad Features a host of athletic superstars. Best part of this spot is the tag line they used from Muhammad Ali, "Float like a butterfly and sting like a bee". Credits: Agency: TBWA\Chiat\Day, Los Angeles Global Director of Media Arts: Lee Clow Chief Creative Officer: Rob Schwartz Group Creative Director: Jimmy Smith Creative Director: Jayanta Jenkins Creative Director: Donna Lamar Copywriter: Donna Lamar, Steve Howard Art Director: Jayanta Jenkins Group Account Director: Mark Hansen Account Director: Jiah Choi Account Supervisor: Jaclyn Corr Sports Marketing AE: Drew Haberkorn Group Planning Director: Scott MacMaster Sr. Planner: Martin Ramos Jr. Planner: Angela Craig Jr. Planner: Daniel Teng Executive Producer: Sarah Patterson Assistant Producer’s: Sofia Akinyele & Danielle Tarris Director of Business Affairs: Linda Daubson Business Affairs Manager: Abilino Guillermo Art Producer: Doğan Dattilo Type Treatment: Tomato Production Company: SMUGGLER Director: Adam Berg Executive Producer/Partner: Patrick Milling Smith Executive Producer/Partner: Brian Carmody Executive Producer/COO: Lisa Rich Executive Producer: Allison Kunzman Head of Production: Laura Thoel Producer: Emma Wilcockson Editorial: The White House Post Producer: Justin Kumpata Editor: Paul Hardcastle Post Production: The Mill Los Angeles Managing Director: Ben Hampshire Producer: Enca Kaul Lead Flame: Giles Cheetham Sound Design: Lime Rohan Young
New commercial for Mercedes Benz and their E-Class line from ad agency Impact, BBDO. Interesting way to advertise the Mercedes Blind Spot Assist feature with this spot titled "Scary Surprise" Credits: Agency: Impact BBDO, Dubai, UAE Creative Directors: Jennie Morris, Jeremy Southern Art Directors: Andrej Arsenijevic, Mark Held Copywriters: Darren McCall, Grant McGrath Account Director: Fadi El Aswad Account Manager: Albert Lorenzo Agency producer: Azza Abou Al Magd Production House: Eye-Squad Producer: Omar Sami Director: Nizar Sfair DOP: Harvey Glen Set Designer / Art Director: Matewz Kroh
The Rocket Project is the world’s first literal product launch and the ultimate product demonstration. Created by Sony Electronics’ agency of record, 180 Los Angeles, the project showcases the amazing capability of both the Intel chip and the Sony VAIO laptop. People can follow the students as they attempt to launch a rocket and make their dreams a reality, through online initiatives and a documentary film.Link to web site: http://www.sony.com/rocketproject Eight high school students come together for the ultimate science project: to launch a rocket by harnessing the computing power of today's Sony VAIO notebook. Credits: Client: SONY Electronics USA Campaign: VAIO, The Rocket Project Digital/Films: Apollo Video Trailer, The Countdown Begins Agency: 180 Los Angeles
AGENCY Executive Creative Dir: William Gelner Creative Director: Amir Farhang Art Directors: Ryan Pocket Fluet, Jungshih Wang Copywriter: Ben Barney Designer: Kevin Will Chen Head of Production/Managing Partner: Peter Cline Senior Producer: David Emery Digital Producer: Christopher Neff Planner: Brit Browning Account Director: Kelli Stam Account Manager: Lauren Keeton
WEB SITE Web Site Development: Hello Design Creative Directors: David Lai, Hiro Niwa Associate Creative Director: Sung Hean Design Director: Eunice Oh Executive Producer: George Lee Senior Project Lead: Barry Chiang Technical Lead: Justin Blackwell
PRODUCTION Production Co.: @radical.media Director of Photography: Zoran Popovic Executive Producer: Frank Scherma Executive Producer: Justin Wilkes Head of Production: Bob Stein Producer: Andrew Fried Story Producer: Amy Korngiebel Casting Director: Aine Carey Shoot Location: Los Angeles/Black Rock , NV Date: 1/17 to 4/12/10
EDITORIAL Editorial Co.: Outpost Digital Editors: Ting Poo, Julie Ellison Executive Producer: Liz Frisell-Mason Assistant Editor: Chris Messina
MUSIC Stock
CLIENT CREDITS Senior VP Corporate Marketing: Stuart Redsun Director of Brand Messaging: Alberto Escobedo Sr. Manager, Brand Messaging: Ken Byers
This iconic ad first came out in 1971 during a time of war and unrest and it quickly touched a chord with people with it's message of peace. The famous TV ad campaign has been remade several times since, but just like Coke itself - nothing compares to the original. Like the group of Hilltop singers who first sang the legendary "I'd Like to Teach the World to Sing,", it was special moment in time.
Anonymous Content Director David Kellogg, working via FilmMaster for Leo Burnett Italy, created a light-hearted :30 showcasing the Fiat Doblò. Set in a sandy tropical paradise, the spot is a montage of three men goofily preparing for the rigors of fatherhood: one pats a pig slung over his shoulder, another rocks a shopping cart full of fruit, and all three wrap a coconut as though it were a newborn. The reason for the hijinx becomes apparent when their three very pregnant companions appear beside their Fiat and the whole crew piles in for a fun-filled ride along beautiful palm tree-lined roads. Kellogg executes the entire scene perfectly, wrapping an entire appealing world into the confines of a :30.
The Credits:
Client: Fiat Spots Title: Doblò Air Date: March 2010
Agency: Leo Burnett, Italy Creative Director(s): Paolo Dematteis, Riccardo Robiglio ACD/AD: Marco Gucciardi Copywriter: Julie Carpinelli Account Director: Riccardo Vavala Head of TV/Producer: Riccardo Biancorosso Production Company: FilmMaster Director: David Kellogg (of Anonymous Content) DP: Janusz Kaminski EP: Karim Bartoletti Line Producer: Stefania Dall'Agnese Production Service Company: LCA Producciones, Costa Rica Editorial: RedCar Miami- Toboga Milano Telecine: Interactive Colorist: Luca Parma Read more: http://www.trustcollective.com/portfolio/content/anonymous_fiat.php#ixzz0hhoNStK7 Attribution: Written content created by TRUST: http://www.trustcollective.com Under Creative Commons License: Attribution Share Alike
When Pepsi released their 1984 now classic ad 'Close Encounter', aliens and UFO's were all the rage thanks to Steven Spielberg and his blockbuster movies E.T. and Close Encounters. Pepsi capitalized on the trend and made a memorable spot that pays homage to both films. As part of Pepsi's huge marketing campaign 'The Choice of a New Generation', this TV ad was an important component in Pepsi's strategy to take market share from Coca-Cola.
How much madness are you made of? Is the tag line for this brilliant new ad for the German Do It Yourself chain "Hornbach". The ads title "Faces" and the music is by Viktor Ekrt. Advertising Agency: Heimat, Berlin, Germany Production: Stink, Berlin Executive Producer: Jan Dressler Line Producer: Eva Pèrez Director: Martin Krejci DOP: Stepan Kucera Editor: Guido Notari @ Damaso Queirazza, Mailand Post Produciton: Tom Sparks, nhb studios, Berlin Music & Sound-Design: Viktor Ekrt @ Soundsquare, Prague, Czech Republic
To support the launch of Sundance Channel's newest series, Be Good Johnny Weir, the network designed a promo concept and secured Absolute Post and @radical.media's Matthew Rolston to create the dazzling spot. The series follows the day-to-day exploits of U.S. National Champion skater Johnny Weir. The promo airs nationally on the Sundance Channel.
The promo begins with Johnny emerging from a Faberge egg and launching into his performance within the halls of Versailles as snow falls. Weir continues his signature saucy act as the scene shifts to snowbound forests with frozen streams, then to lakes, and finally into an ever-brightening luminescent "Sun King" room where the phenomenon skates to the camera and blows his adoring public a cheeky kiss. Weir - decked out in his customary assortment of ostentatious costumes, ranging from Lycra diamond-studded tights and stilettos to fur capes to Weir-designed classic onesies - stands out against the dazzling Absolute-produced backdrops with the fierce energy and attitude that defines him on the ice. The mix of glamour and lightheartedness perfectly expresses Rolston's vision of a tongue-in-cheek personification of Weir.
Rolston shot Weir on green screen, working closely with Absolute's Head of CG Minh Nguyen-BA and the Blind Pig design team to ensure that his movements would later sync with the backgrounds. Absolute created these separate environments as completely CG spaces and digital mattes, which presented lead Flame artist Josh Laurence and his team with a number of challenges. The opening hall of chandeliers was a huge task, with layers of detail and texture required to realize the vision spelled out in Rolston's intricate references.
Via Trust Collective | http://www.trustcollective.com/portfolio/content/absolute_johnnyweir.php#ixzz0gx3bePM1 Written content created by TRUST: http://www.trustcollective.com Under Creative Commons License: Attribution Share Alike
Credits: Client: Sundance Channel Spots Title: Be Good Johnny Weir Air Date: January 2010
Agency: Sundance Channel Agency Producer(s): Shari Weisenberg, JC Cancedda, Mark Williams
Prod Company: @radical.media Director: Matthew Rolston EP: Jim Bouvet
Editorial: Cut & Run NYC Editor: Tina Mintus Assistant Editor: Adam Bazadona Producer: Ashley Carrier
Post/Effects: Absolute NY EP: Sally Heath Lead Flame Artist: Josh Laurence Flame Ops: Dirk Greene, Krispy Cornwell, Nathan Kane, Daniel Morris Lead CG Artist: Minh Nguyen-BA CG Ops: Andrew Harper, Sheri Wong, Keith Kamholz Combustion: Warren Paleos, Krissy Nordella, Digital Mattes: Ross Goldstein, Jasper Kidd, Ric Comline, Christian Kugler
The first interactive theatrical commercial by Jung von Matt & Film Deluxe. Last Call is the first interactive horror movie in the world where the audience is able to communicate with the protagonist. A film controlled by a member of the audience, thus blurring the boundaries between game and film. Language recognition software transforms the participant's answers via mobile phone into specific instructions. A specially developed software then processes these commands and launches an appropriate follow-up scene. The dialogue between the movie's main actress and an audience member leads to a different film - and outcome - every time: sometimes with a happy end, sometimes with a more gruesome one. To participate in the adventure, audience members submit their mobile phone numbers to a speed dial code when they buy their ticket. The moment the female protagonist takes out her phone to call someone who might be able to help her, the film's controlling software contacts one of the submitted mobile phone numbers. Once the viewer picks up, he hears the actress's voice - who tells him she would be lost without him. He has to help her escape by choosing a path through the old, rundown sanatorium. Furthermore, he also decides whether she should help other victims to flee the scene -and every single choice shapes her fate: it's a matter of life and death. Credits: Agency: Jung von Matt, Berlin Production company: Film Deluxe Berlin Director: Milo Agency: Jung von Matt/Spree, Berlin Client: 13th Street Executive Creative Director: Matthias Stiller Executive Creative Director: Wolfgang Schneider Creative Director: Andreas Henke Creative Director: Christian Kroll Creative Director: Peter Gocht Art Director: Daniel Leverenz Art Director: Marius Bell Agency Producer: Julia Cramer Concept: Andreas Henke Production Company: Film Deluxe GMBH Executive Producer: Glenn Bernstein Executive Producer: Jurgen Krause Producer: Katharina Strauss Producer: Stephan Pauly Line Producer: Marion Dopfer Compositing: Daniel Kundrat 2D Artist: Daniel Kundrat
